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Steal This Film 2
Sayonee
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Piksel09
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Lydgalleri
Kunst und musik mit dem tageslicht projektor
Noise Concert
Noish vs automata
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It's allright?
It's ok
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 with? The works are challenging with some level of risk (but not dangerous), as in “Health & Safety Violation #8 – Randomly Activated Tripwires”. In this work, the steel trip wires randomly rise and fall, and their movement unsettle the viewers, effectively moving down a corridor filled with blatant trip hazards.
http://www.woodeson.co.uk
intrinsic
Angie Atmadjaja
pikseexpoAA1 pikseexpoAA2
Intrinsic is an audio and light installation that explores minimal sound and audio. Dimensions of the space govern the configuration of the installation. The frequencies of the sine waves correlate to the dimensions of the space and create room modes. A series of light tubes are hung from the ceiling. As viewers enter the pitch-dark room, their eyes begin to slowly adjust to the shifting white light intensities that seem to be hovering in the space. Their ears perceive changing loudness of different electronic sound materials resulting from the way they navigate through the space.
http://www.angieatmadjaja.com/Piksel09.shtml
The serv seq
gijs gieskes
pikseexpoGG1 pikseexpoGG2 pikseexpoGG3
The serv seq, is a servo based sequencer. it has 3 arms with line detectors that can play sound from a frequency circle.
The arms can be sequenced with the three buttons on the controller, in combination with the joystick.. If the joystick is moved up, the volume will go up for the arm that is being controlled. Moving the joystick left and right will change the position of the arm.
On the tip of the arm there is a line detector, that plays back the frequencys, but the arms can also hit objects placed next to the circle to make drum sounds.
Musica Vista 1.0
Carlos Tricas
pikseexpoCT1 pikseexpoCT2 pikseexpoCT3
The installation Musica Vista 1.0 works with augmented physical parameters. The pieces on the projection area are seen, and the information of situation and type is translated into music and animations. Is a simplification of Augmented Reality. Normally the public play with objects and add some personal objects too. It’s the moment when the art became and grows… and all involved in a retro computer graphics ambient.
Video
http://www.youtube.com/watch?v=rwoKXuMjPPs
augen-auf-schlag
Wolfgang Spahn, Thomas Gerwin
augen-auf-schlag
(strike-the-eyes)
pikseexpoWSTG1 pikseexpoWSTG2 pikseexpoWSTG3
This interactive sound-and-light-installation is considered as an instrument to generate and play sounds and liquid colors.
If someone hits one of the sound pads in the installation, the liquids in the projectors will react. There is a pane of glass hanging covered by a round projection screen. On that screen the three monochrome colors are projected to create one full color projection.
A sound environment defines the space imagination around the installation. The variety of sounds offered on a drum pad point to different musical genres. In this way it’s possible to create a great spectrum of sound world associations, and to enable an original audiovisual creation of colored music.
Taiknam hat
Ricardo Oliveira Nascimento, Ebru Kurbak, Fabiana Shizue
pikseexpoRNEKFS1 pikseexpoRNEKFS2 pikseexpoRNEKFS3
Taiknam Hat is a kinetic head-wear that reacts and animates in accordance with the changes in its surrounding radio frequencies. The intention of the project is to materialize the invisible and to contribute to the awareness of the increasing electromagnetic radiation.
Taiknam Hat is an attempt to materialize a new form of pollution; the electrosmog. Taiknam Hat utilizes the biological fact of horripilation in birds as a metaphor to express our bodies’ irritation towards electromagnetic radiation as well as to create a visual and tactile signage of their existence for other people. The headwear employs a number of movable actual feathers. These feathers become activated and move according to the existence and amount of radio frequencies at a certain location while the person who wears the hat strolls through space. http://www.taiknamhat.net
Generative Audio Prototypes
Dream Addictive, Carmen González, Leslie García
pikseexpoDACGLG2 pikseexpoDACGLG1 pikseexpoDACGLG3
Generative Audio Prototypes is a series of sound generative sculptures, the design is produced from the organization of electronic elements, in order to create a series of objects that simulate biological structures, showing at the same time their clear artificial nature.
The project is based on Arduino and Pure Data as controllers and processors to produce audio. The piece uses physical computing techniques, where a spectator is essential to produce an interactive exchange. The piece receives what it needs, the proximity of an object or person. An unexpected response of pure digital generative sounds is given in exchange.
G.A.P. shows two adapting processes. First, the form of its physical aesthetics, an artificial structure that simulates a form of nature. And then the adapting of analogous sound from a digital source.
http://dalab.ws/generative-audio-prototypes/
http://dalab.ws/gap-no2/
Tribo Pænix
Arnfinn Killingtveit
pikseexpoAK1 pikseexpoAK2 pikseexpoAK3
T.P is an instrument, a sculpture and an installation. It is constructed through a peculiar combination of ancient and modern music technology, both visually and phonetically.
As an installation T.P acts as an independent organism, that is coloring the sound and giving the sculpture its own life. Microphones are placed in the vicinity of the T.P, that picks up surrounding sounds and uses these audio sources in addition to the synthesized sounds produced by the instrument itself. The soundscapes presented by the sculpture might be perceived as random, although there is nothing accidental in the system’s back end. ','piksel09',1231,'theora','contents/1890006918Lydengareriet.jpg','','','d.R.e.G.S., xname',true))
, Tina Tonagel (DE), Christian Faubel (DE)',1393,'theora','contents/Pik19_aleAudio.jpg','','','d.R.e.G.S., xname',true))
)
) is a sound art project from Oscar Martin. It’s an experimental sound work placed somewhere between Musique concrète and postdigital error aesthetics. The daily routine and surroundings are the base material that’s mutated and deconstructed through the possibilities of digital code and sometimes glitches and errors, generating new units of sensation, which is used to build autonomous sound universes.','oscar martin correa (ES)',1177,'theora','contents/21_01.jpg','','','d.R.e.G.S., xname',true))
