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Sensory Response Systems

Ryan Jordan

Ryan Jordan
http://doc.gold.ac.uk/~ma701rj
Sensory Response Systems is an exploration into audio-visual performance using an array of sensors responsive to physical movements in order to control the audio-visual output in programs such as pd, SuperCollider, Processing, etc.

Gnirut Test

Benjamin Cadon

Benjamin Cadon
http://benjah.free.fr/01xyweb/01xy.htm
Gnirut Test is an audiovisual performance that deals with our techno machinic evolution, driven by more and more powerfull digital tools and networks.

Notstandskomitee

by Notstandskomitee aka Malte Steiner
http://www.block4.com/index.php?id=101
An experiment in alternative user interaction with a realtime soundsynthesizer.This software system generates in one application stepsequences, soundsynthesis and visuals for realtime performance.
Hardwareinterface is a hacked Korg PadKontrol.

_rrr

AV real time performance by Jaime Villarreal, Ernesto Romero and Ezequiel Netri (aka RRR)
http://r-r-r.cc

Ab(used) Mediums

One Man Nation

One Man Nation
http://onemannation.com/blog/content/performance/about
A new performance set developed using only open-source software for live performances. A way to use the computer as an instrument but without having to use the computer screen at all DURING a performance.
Pure Data running on Ubuntu.

History and Future of the Solid State Entity

Jessica Rylan

Jessica Rylan
On a transhumanist website, she found the following quote by science-fiction author David Zindell:"We should all know the code of our programs, otherwise we can never be free."

DYN-AMO ARTEFACTS BY THE SCIE PROTOCOL (I)

Julien Ottavi and Jenny Pickett

by Julien Ottavi and Jenny Pickett
http://www.a10lab.info/scieprotocol
The performance is based on a discussion between an automated video score responding to a performer, who in turn responds to the video. Using Pure Data programmation, the performer triggers the composition of the images and deconstructs their narrative content according to the performers relationship to these images.

DYN-AMO ARTEFACTS BY THE SCIE PROTOCOL (II)

Julien Ottavi and Jenny Pickett

Julien Ottavi and Jenny Pickett
http://www.a10lab.info/scieprotocol
by Julien Ottavi and Jenny Pickett
http://www.a10lab.info/scieprotocol
The performance is based on a discussion between an automated video score responding to a performer, who in turn responds to the video. Using Pure Data programmation, the performer triggers the composition of the images and deconstructs their narrative content according to the performers relationship to these images.

RAW (Radiating Addictive Waves)

Alejandra Pérez & Bureau d'Études

Bureau d'Études and Alejandra Pérez
http://ljudmila.org/~pueblo/raw.html
RAW is a performance showing raw results of a research that we would like to conduct during piksel workshop. The aim is to inquire into existing representations of the body in relation to machines.

TONEWHEELS

Derek Holzer

Derek Holzer
http://www.umatic.nl/tonewheels.html
Transparent tonewheels with repeating patterns are spun over light-sensitive electronic circuitry to produce sound and light pulsations and textures, while projected graphical loops and textures add richness to the visual environment.

No Copy Paste

Gabor Papp & Agoston Nagy

Gabor Papp & Agoston Nagy
http://ncp.kibu.hu/
No Copy Paste generates music and visuals in real-time, utilizing live coding, which emphasises the expressive possibilities afforded by programming languages as a means for defining and manipulating computational processes. Software used: pure data and fluxus

Do sinusoids dream of electric sweeps?

Iohannes Zmölnig

Iohannes Zmölnig
A live-coding performance done in pure-data. it relies heavily on self-modifying Pd-patches that interact in an agent-like fashion.

Avatar Orchestra Metaverse

Avatar Orchestra Metaverse
http://du-store-verden.no/artister/artist.php?2007112722382294975
The three dimensional virtual enviroment of Second Life is both the homebase and the contextual base for the Avatar Orchestra Metaverse. The Avatar Metaverse Orchestra is equally much a tool for performing as it is a vehicle for continued experimentation.